Skip to content
GreatCoffee Table Books

Books built for your table, not a shelf

Every book here measures at least 30 centimetres and was chosen by a named editor. We write about the paper, the plates and the binding, then send you to a bookseller we trust.

  • Front cover of Mother: A Tribute to Mother Earth by teNeues, photographs by Marsel van Oosten
  • Cover of SINK / RISE: The Day May Break, Chapter Three by Nick Brandt
  • Front cover of Before / After: Álvaro Siza
  • Front cover of Big New York by teNeues
  • Front cover of Architecture, Not Architecture: Diller Scofidio + Renfro

Hot off the Press

The newest entries on the tables. Each was read, weighed and written up by one of our editors before it went live.

  • Front cover of Mother: A Tribute to Mother Earth by teNeues, photographs by Marsel van Oosten

    Mother: A Tribute to Mother Earth

    Van Oosten works at the scale of a single subject: one elephant, one waterfall, one tree. In a 270 x 360mm format, printed by teNeues, that turns out to be quite enough.

  • Cover of SINK / RISE: The Day May Break, Chapter Three by Nick Brandt

    SINK / RISE: The Day May Break, Chapter Three

    The photographs in this book should not exist. Nick Brandt somehow made them anyway, entirely in-camera, on the ocean floor off Fiji.

  • Front cover of Before / After: Álvaro Siza

    Before / After: Álvaro Siza

    Siza at 91, choosing his own twenty. Malagamba's photographs and the architect's hand drawings together make the case for why the work still matters.

Curated scenarios

Tables configured for the season

Front cover of Before / After: Álvaro Siza
Front cover of Architecture, Not Architecture: Diller Scofidio + Renfro
Front cover of The Book of Temples: Spiritual Places Around the World by gestalten

Table 1 · Midwinter

The Architect's Winter Hearth

Raw concrete, slate and heavy wool throws. Architectural monographs from Milanese masters and duotone lithograph studies.

See the books on this tableArchitecture

Monthly letter

The Standing Order

On the first of each month we send one newly shelved book, chosen by our editors to sit well with natural wood, lime wash or concrete. One email, one book, the reasons why. Nothing between issues.

How the curation works

The shelves

Four curated stacks for study